These Models Were Photographed 14 Years Apart With The Same Lighting

What if you could see yourself in 14 years? Would you want to know what you look like? Urs Recher is a Switzerland-based photographer who recently pursued a personal project that fascinated me.

Back in 2002, he shot beautiful portraits of two models. This year, he shot the same models again with the exact same setup! The only thing that separates the shots is time.

That’s Vanessa above. Here’s Caroline:

I had to reach out to him and ask him a few questions and he kindly indulged me with the answers.

Tell me more about the project, how did it come about?

I started the project with Caroline.

The first time I booked her was in 2002, just for a test shoot on location; and I found her face just stunning. So I booked her again, this time “for real” in my studio for some portraits. One of these portraits is now shown in the time travel portraits.

In the following years, I booked her regularly (my portfolio is full of her) and I saw the slow transformation from a teen girl to a woman. So I asked her, if she would allow me to shoot her again – identically like 14 years ago.

With Vanessa it was very different. I shot her only once or twice in 2002.

Then, just when I was busy with “Time Travel Caroline”, Vanessa “found” me on Facebook and contacted me for the first time after 14 years. Of course I invited her immediately to the studio again.

Tell us more about the models!

Well, you certainly understand, that I cannot give their exact data. They are both Swiss, like me, but never worked too serious as models. Vanessa was only active for a few years, while Caroline was constantly busy shooting. But modelling was never a full time job for her either.

Caroline was actually a little too short to become a “normal” model, but I still think she has the most amazing face.

People are going to ask, what about the camera and the lighting?

The portraits are shot with digital medium format cameras. Only the resolution increased. The focal length used was 120mm.

The light was 100% the same.

Caroline: A 220 cm parabolic reflector (Broncolor Para). Black flags left and right of the face, the white background was far enough that no light effects it. 

Vanessa: Left and right of the face, small softboxes directed towards me. This creates the darker contours of the face. A beauty dish from below at very low power. A small white paper and a very little flash above the camera as fill-in lights.

Any final thoughts?

Personally I think, that I get more from non-professional models when working on such projects. Agency-models might be more experienced and easier to get “beautiful” pictures, but I doubt, that they would give me so much of themselves in a portrait series like this.

http://petapixel.com/2016/11/30/models-photographed-14-years-apart-lighting/

Unveiled: Nikon Announces New COOLPIX Point-and-Shoot Cameras

http://www.bhphotovideo.com/indepth/photography/news/unveiled-nikon-announces-new-coolpix-point-and-shoot-cameras?cm_mmc=EML-_-NewAnnouncement-Photo0214-_-140211-_-Body_Indepth_Nikon-CoolPix-ReadMore
By Bjorn Petersen

Published: Friday, February 7, 2014 - 3:00am

Nikon has just introduced a host of updates to their line of COOLPIX point-and-shoot digital cameras, ranging from a new AW120 rugged model to the advanced P340 to the compact, entry-level S32. These six models cover a broad range of photographers' needs.

COOLPIX AW120

One of the most popular lines among the COOLPIX series is their rugged AW series, and the newest entrant to this family is the AW120. Designed to sustain underwater depths to 59', falls from as high as 6.6', and temperatures as cold as 14°F, this camera is well poised to handle harsh and inclement conditions as well as underwater and wintertime adventures. Complementing these durable assets is a unique Action Control scheme, which lends fast and intuitive access to essential camera controls when working underwater or with gloved hands. Furthermore, when coupled with the optional Chest Harness, the AW120 can further exploit its all-weather nature by functioning as an action camera to record full HD movies.

The AW120 features a 5x optical zoom-NIKKOR lens, providing a 35mm-equivalent focal length range of 24-120mm f/2.8-4.9 that is well-suited to use in everyday situations. Hybrid VR image stabilization balances this lens' reach by helping to minimize the effects of camera shake. A 16MP 1/2.3" CMOS sensor offers high-resolution stills and full HD 1080p video recording capabilities, with notable low-light sensitivity to ISO 6400. These imaging traits are further optimized through the implementation of Target Finding AF and Motion Detection to ensure critical focus and proper exposure on moving subjects. Live view monitoring, image playback, and menu navigation are available via the integrated 3.0" 921k-dot OLED monitor, which features an anti-reflection coating and five-level brightness adjustment.
For sharing photos and videos in a more instantaneous fashion, built-in Wi-Fi enables direct sharing to linked Android and iOS mobile devices for seamless posting to social networking sites. Linked mobile devices can also remotely control the camera and provide a live view image on the device's display. A built-in GPS module accentuates the sharing capabilities, too, by automatically embedding location data in the image's metadata for geo-tagging purposes. An electronic compass and points of interest are also loaded into the camera, making the AW120 an ideal travel companion.
The COOLPIX AW120 Digital Camera is available in black, blue, camouflage, or orange.

COOLPIX P340

Pairing high image quality and full HD 1080p video recording capabilities in a pocket-sized package, the P340 is an advanced compact featuring notable low-light sensitivity and rich rendering abilities, due to its large 12.2MP 1/1.7" CMOS sensor and fast 24-120mm f/1.8-5.6 (35mm equivalent) zoom lens. Beyond the sensor itself and the bright maximum aperture, the low-light abilities are further enhanced by the incorporation of VR image stabilization that helps to reduce the appearance of camera shake.

Program, Shutter-priority, Aperture-priority, and Manual shooting modes permit complete creative control over the imaging process while a host of dedicated scene modes and effects features can be utilized to creatively enhance the look and feel of photos and movies easily. RAW image file recording is possible, too, to enable greater creative freedom during post-processing. Additionally, moving-subject capture is enhanced by a top continuous shooting rate of 10 fps.
Just as with the AW120, the COOLPIX P340 features built-in Wi-Fi connectivity to allow remote camera control and seamless sharing of imagery to linked mobile devices.

COOLPIX P530

In contrast to the compact models, the P530 is a point-and-shoot contextualized by its expansive 42x optical zoom lens and ergonomic form factor. This zoom lens reaches from wide-angle to super telephoto perspectives, 24-1000mm in the 35mm format, and can further be extended through the use of Dynamic Fine Zoom, which effectively doubles the zoom magnification to 84x with minimal image degradation. Optical VR image stabilization complements this lens's capabilities by minimizing camera shake and affording the ability to work with slower shutter speeds or in difficult lighting conditions. A 16.1MP 1/2.3" CMOS Low-Light sensor accentuates these low-light shooting capabilities, with a top sensitivity of ISO 6400, as well as the incorporation of a 0.2" 201k-dot electronic viewfinder, which can serve as a third point of contact between yourself and the camera, for greater stability. A large 3.0" 921k-dot LCD monitor is also incorporated into the camera's design, which is ideal for image review and menu navigation.

Manual shooting modes and different Color Options offer greater control in how the final image appears and the ability to continuously shoot up to 7 fps with Subject Tracking focus makes this camera ideal for working with moving subject matter. In addition to recording high-resolution still images, full HD 1080p video recording is possible, along with stereo sound, and an HDMI port avails direct connection to an HDTV for easy playback. Differing from the aforementioned cameras, the P530 requires the optional WU-1a Wireless Mobile Adapter in order to instantly send imagery from the camera to mobile devices.

COOLPIX P600

Maintaining the bridge-style camera shape, the P600 features an even longer 60x optical zoom lens, which covers a 35mm-equivalent focal length range of 24-1440mm,  that is adorned with Super ED glass to reduce optical aberrations and distortions and produce imagery with a high degree of sharpness and clarity. Complementing the inherent traits of this optically refined lens is a 16.1MP 1/2.3" CMOS sensor and Dynamic Fine Zoom technology, which doubles the effective zoom to an exceptional 120x.

An easy-to-hold shape does well to support a lens this long; however, the addition of both a 0.2" 201k-dot eye-level electronic viewfinder and 3.0" 921k-dot Vari-Angle LCD monitor provides even greater handling abilities. The Vari-Angle design of the monitor facilitates easier viewing from both high and low working angles, while the EVF is especially well suited to use in bright conditions, for greater visibility.
Manual shooting modes offer advanced exposure settings control while 20 different Scene Modes promote a more automated method of achieving a well-balanced exposure depending on the scene at hand. A creative Multiple Exposure Mode is available for blending several exposures into a single frame and continuous shooting up to 7 fps is possible to benefit working with fast-moving subjects.
Built-in Wi-Fi permits instant sharing of photos and videos between the camera and mobile device, as well as remote camera control. Additionally, the EN-EL23 rechargeable lithium-ion battery is rated to 330 shots per charge, keeping you shooting all day.

The COOLPIX P600 Digital Camera is available in black or red.

COOLPIX S32

Reverting back to the more pocket-friendly profile, the S32 is a friendly point-and-shoot featuring a durable design that withstands dives down to 33', drops from up to 5', and temperatures as low as 14°F. A high-resolution 13.2MP Low-Light CMOS sensor enables working in difficult lighting conditions and a versatile 3x NIKKOR glass zoom lens, covering a 30-90mm equivalent focal length range, along with Electronic Vibration Reduction, is well suited to working in everyday situations. In addition to still imagery, the S32 is also capable of recording full HD 1080p videos with stereo sound. Live view monitoring and playback can be controlled via the built-in 2.7" 230k-dot LCD monitor.

Designed as a camera for the whole family, the physical profile features oversize buttons to permit a more intuitive sense of orientation when adjusting the camera settings. Image Effects and Scene modes provide a rich catalog of creative effects to apply to imagery while the Smart Portrait System, comprised of Face Priority AF, Skin Softening, and Smile Timer technologies, helps to ensure proper exposure and focus for the most flattering results.
The COOLPIX S32 Digital Camera is available in blue or white.

COOLPIX S9700

Combining elements from both worlds, the S9700 is a compact point-and-shoot featuring an expansive 30x optical zoom NIKKOR lens, which provides a 35mm-equivalent focal length range of 25-750mm. Lens-shift type VR image stabilization aids this long reach by countering the effects of camera shake, while Dynamic Fine Zoom is available to double the effective zoom magnification to 60x. A Macro Mode supports working with close-up subject matter and an intelligent Target Finding AF system quickly acquires focus in a consistent and accurate manner.

On the imaging end, a 16MP 1/2.3" CMOS sensor offers notable low-light sensitivity to ISO 6400 and also avails a continuous shooting rate of 6.9 fps. Manual shooting mode allow more direct control over the exposure settings and Quick Effects can be employed to further creatively enhance imagery. In addition to high-resolution still imaging capabilities, full HD 1080p movies can also be recorded, with stereo sound, and played back directly to an HDTV via the HDMI port.
Beyond built-in Wi-Fi featured in many of these new cameras, the S9700 also adds built-in GPS to automatically embed location data into your files for intuitive plotting to interactive maps. This GPS module also lends itself to providing an electronic compass and a series of points of interest to aid the traveling photographer visiting unfamiliar destinations.

Unveiled: Ricoh Announces a New WG Tough Camera with Mount System and a K-Mount Teleconverter

http://www.bhphotovideo.com/indepth/photography/news/unveiled-ricoh-announces-new-wg-tough-camera-mount-system-and-k-mount-teleconverter?cm_mmc=EML-_-NewAnnouncement-Photo0214-_-140211-_-Body_Indepth_Ricoh-WG4-Teleconverter-ReadMore
By John R. Harris

Published: Wednesday, February 5, 2014 - 5:00pm

As the successor to the popular and distinctive WG-3 “tough” camera, the new Ricoh WG-4 Digital Camera takes things up a notch with a new image processing engine, updated shooting modes, and enhanced waterproof construction. In addition, two of the four new models come equipped with a sophisticated GPS module. The standard WG-4 is available in lime yellow or silver, while the WG-4 GPS is available in black or blue. For expanded functionality and stable camera placement, Ricoh has also released a series of mounting accessories for use with the WG-4. These mounts will attach your camera to windows, handlebars, helmets, or numerous other items and surfaces with strength and aplomb. Finally, Ricoh has also announced a new 1.4x teleconverter for K-mount DSLRs and lenses.

The WG-4 houses a 16MP 1/2.3” Backlit CMOS sensor that captures sharp, high-resolution images with accurate colors and a rich tonal range. The sensor also enables a fast 9-point contrast-detect autofocus system and low-light sensitivity with ISO up to 6400. The new-generation imaging engine brings with it faster response times, including fast shutter lag time and a burst mode continuous shooting rate of up to 14 fps.
Tough cameras are so called because they offer a set of features that allows them to be used in harsh climates, underwater, and to withstand serious impact. They are perfect for the adventurous among us, but just as ideal for those of us who want to take our cameras to the ski slopes and the pool and not worry about damage from the commonplace effects of gravity. Frankly, tough cameras are great for anyone with kids or for those who like to carry a quality camera everywhere and not be too concerned about its welfare. The WG-4 is waterproof to a depth of 45’, shockproof to falls of up to 6.5’, crushproof to 220 lbf, and resistant to temperatures as low as 14°F. It is also designed to be dustproof, which enables fearless trips to the beach, the baseball diamond, or on a trail-bike ride.
The lens on the WG-4 is a 4x optical zoom lens with the 35mm equivalent focal length of 25-100mm, providing wide-angle inclusiveness and telephoto reach. Furthermore, its maximum aperture at the wide-angle end is f/2, which makes it effective in low light and allows fine control of depth of field for beautiful portraits and still life. A triple shake-reduction system combines an image-sensor-shift mechanism with digital Pixel Track and high ISO SR modes to reduce the effects of camera shake and create images with minimal blur, even images shot while moving and in low light. Six LED Macro Lights encircle the lens, providing brighter and balanced lighting when shooting detailed close-ups in Macro Mode.
New on the WG-4, and enabling improved imaging control, is a Shutter Priority mode to help freeze fast-moving action or to creatively add a blur of speed or playful light trails to your shot. Also, a new User mode brings the total number of shooting modes on the WG-4 to 29, some of which provide automatic camera control over difficult shots, while others allow for creative imaging such as time-lapse movies and digital microscope perspective. Two distinct Underwater shooting modes are also supported. And Full HD 1080p video is featured at 30 fps along with HD 720p video with 60 fps or slow-motion 120 fps options.

Image playback and composition is provided by the 3.0” TFT color LCD monitor, with its 460k-dot resolution and 170° wide-angle viewing capability. An anti-reflective coating enables bright and clear visibility even in bright sunlight. The WG-4 has a built-in flash in addition to its LCD light ring, and can throw additional light as far as 34’ when needed. 70MB of internal memory is a saving grace if necessary and SD, SDHC, and SDXC memory cards are otherwise compatible. With its distinctive and ergonomic form factor, bright coloring, reinforced polycarbonate build with aluminum accents and included carabiner strap, the WG is a most recognizable camera.
As mentioned above, the lime yellow and silver models come equipped with GPS functionality, which automatically records location data onto your images and offers an integrated digital compass, as well as pressure, altitude, and depth gauges for serious trekkers and divers.

Mount Accessories

To better use your WG-4 on an adventure or when taking group shots or selfies at home, Ricoh has introduced a line of mounting accessories designed to fit the WG camera series. The O-CH1470 WG Holder is the basic element that cradles the camera and, using its versatile ball-and-socket system, can fit into any one of the three available mounts. A thumb screw that fits the the camera’s tripod thread secures the camera, and a rubber latch provides additional and flexible support when mounted on a moving object. The ball-and-socket system allows you to place the camera in any shooting position and enables quick release and transfer to the other mounts.

The O-CM1472 WG Handle Bar Mount uses thumb screws and a pinch-type design to fasten itself to the handlebars of bikes, motorcycles, or hang gliders for extreme action capture. Using a powerful adhesive tape, the O-CM1471 WG Flat Adhesive Mount is a simple solution for semi-permanent mounting of the WG series cameras to any flat or slightly curved surface such as helmets, walls, or tabletops. Lastly, the O-CM1473 WG Suction Cup Mount is ideal for repeated use when mounting your camera on windows, boats, cars, or even surfboards and helmets. The suction cup provides a quick-release lever for rapid removal. The WG Holder and all mounts are available separately and compatible with all WG-series cameras.

Teleconverter for K-Mount Lenses

Ricoh has also announced the release of a new teleconverter for K-mount telephoto lenses. The 1.4x HD DA AF Rear Converter AW for K-Mount Lenses provides 1.4x magnification, increasing the focal length of a K-mount lens by 40%, while retaining the minimum focus distance of the lens. It mounts on the rear of the lens and then on the camera body, and enables autofocus and auto-exposure capability with both camera-driven and lens-driven AF systems. Compatible camera bodies are the K-3, K-50, K-500, K-30, K-5 II, K-5 II s, K-5, K-01, K-7, and K-r; the camera’s firmware must be updated to the latest version for full autofocus compatibility.

The converter’s 4 optical elements are coated with exclusive multi-layer HD lens coating, which improves light transmittance and reduces reflection, which produces sharper images with minimal ghosting and flare. It provides weather-resistant construction to match that of the K-mount DSLR cameras and is a durable, compact, lightweight accessory that allows you to get extended focal-length reach from your telephoto lenses.

Unveiled: Two New Lenses from Tamron

http://www.bhphotovideo.com/indepth/photography/news/unveiled-two-new-lenses-tamron?cm_mmc=EML-_-NewAnnouncement-Photo0214-_-140211-_-Body_Indepth_Tamron-Lenses-ReadMore
By Joshua Kleiner

Published: Thursday, February 6, 2014 - 4:04pm

Tamron recently announced two additions to their lineup of zoom lenses: the APS-C-dedicated 16-300mm f/3.5-6.3 Di II VC PZD Macro and the full-frame compatible 28-300mm f/3.5-6.3 Di VC PZD. The focal-length range of each lens covers wide-angle to telephoto perspectives, making both ideally suited to everyday shooting scenarios. The 16-300mm f/3.5-6.3 lens has macro capability and can focus as close as 15” with a 1:2.9 magnification ratio. In addition to a three-axis image stabilization mechanism and Piezo Drive (PZD) ultrasonic autofocus system, these all-in-one lenses have an advanced optical system optimized to produce high-quality imagery for a wide range of shooting tasks.

To further enhance image quality throughout the zoom range, Tamron equipped both pieces with their Broad-Band Anti-Reflection (BBAR) coating and an advanced optical design. Four low-dispersion glass elements, three aspherical elements, one hybrid aspherical element, and other refractive index-matched elements minimize chromatic aberration and enhance brightness, sharpness, and clarity. Both lenses are available with Canon EF, Nikon F, or Sony A lens mounts.

	28-300mm f/3.5-6.3 Di VC PZD	16- 300mm f/3.5-6.3 Di II VC PZD MACRO
Compatible Format	APS-C or full-frame	APS-C
Focal Length (35mm Equivalent on APS-C)	28-300mm (approx. 42-450mm)	16-300mm (approx. 24-450mm)
Maximum Aperture	f/3.5-6.3	f/3.5-6.3
Minimum Aperture	f/22-40	f/22-40
Angle of View	75°23’ – 8°15’ (full-frame); 52°58’ – 5°20’ (APS-C)	82°12’ - 5°20’
Lens Construction	19 elements in 15 groups	16 elements in 12 groups
Minimum Focus Distance	1.6' / 49cm	1.3' / 39cm
Maximum Magnification Ratio	1:3.5 (at 300mm focal length)	1:2.9 (at 30mm focal length)
Filter Size	67mm	67mm
Number of Diaphragm Blades	7	7
Lens Mount	Canon EF, Nikon F, Sony A	Canon EF, Nikon F, Sony A
Dimensions	2.9 x 3.8" / 74.4 x 96mm	3 x 3.9" / 75 x 99.5mm
Weight	1.2 lb / 540 g	1.2 lb / 540 g

Unveiled: New Canon MR-14EX II Macro Ring Lite

Lastly, Canon has announced an update to the MRF-14EX Macro Ring Lite and, appropriately enough, it is called the MR-14EX II Macro Ring Lite. It brings with it shorter recycling times and more custom functions than its predecessor, and its twin-tube design enables two flash tubes to be fired simultaneously or independently. The Macro Lite is designed to fit Canon EF Macro lenses, literally fitting on the lenses themselves for shadow-free close-up flash photography. It works with all EOS cameras and can be adapted to work with PowerShot G series and Pro 1 cameras. White LED focusing lamps and two forms of modeling lights make for easy and accurate previewing of lighting effects, and the illuminated dot-matrix LCD allow for simple adjustments. The Macro Ring Lite MR-14EX II supports E-TTL wireless autoflash when linked with one or more Speedlite 600EX-RT flashes and has twelve custom functions, compared to the seven of its predecessor. It has a maximum Guide No. of 34.4’/10.5m at ISO 100.

Unveiled: Canon Announces Several Point-and-Shoot Cameras

PowerShot SX700 Digital Camera

The feature-heavy PowerShot SX700 HS Digital Camera is a versatile point-and-shoot camera with a powerful 30x optical zoom lens and is available in black or red. A 16.1MP High-Sensitivity CMOS sensor, combined with the DIGIC 6 Image Processor, provides accurate colors, a rich tonal range, and excellent low-light performance for still photography and full HD 1080/60p video capture. The camera's long zoom lens offers the 35mm focal length equivalent of a 25-750mm lens, which can handle almost any shooting situation that comes your way, including tight interiors and broad landscapes at the wide-angle end and nature photography and close-ups at the telephoto end. A bright 3.0” LCD monitor enables image composition and clear playback of your photos and videos.

Numerous convenience features are supported by the SX700, including a one-touch dedicated button to instantly switch into video mode. Also, when utilizing the camera’s built-in Wi-Fi connectivity, a simple Mobile Device Connect Button allows you to connect to your Android or iOS device for easy sharing. Built-in Near Field Communication lets you establish a connection to your Android smartphone with just a tap and, in addition to fast transfer and image sharing, the free Canon CameraWindow app enables your device to function as a wireless remote control for the SX700.
Smart AUTO mode selects the best camera settings from 58 predefined shooting situations and Hybrid Auto records short video clips before each still photo and automatically edits them to make a highlight reel of your important events. The SX700 is a great camera for versatile shooting, especially if you prefer to let the camera control the settings while you concentrate on capturing the moment. Creative Shot mode also makes it easy to add artistic touches and special effects to your original images.

PowerShot D30 Waterproof Digital Camera

Improving on its predecessor, the PowerShot D20, the Canon PowerShot D30 Waterproof Digital Camera more than doubles its underwater capability with a depth rating of 82’. It is also shockproof from 6.5’ falls and is able to function in temperatures as extreme as 14°F and 104°F—all that in a compact, ergonomic form factor that weighs less than 8 oz. A 12.1MP High-Sensitivity CMOS sensor and the DIGIC 4 Image Processor provide high-resolution imaging with effective low-light performance and full HD 1080p video capture. Like all of the buttons on the D30, the one-touch dedicated movie button is large enough to be engaged in active situations, underwater, and with gloves on.

A 5x optical zoom lens incorporates inclusive wide-angle perspectives for landscapes and group shots, and telephoto reach for magnifying distant subjects. Its 35mm equivalent focal length is 28-140mm. Befitting a camera that is at home on both the ski slopes and the beach, the D30 features the Sunlight LCD mode to reduce glare on its 3.0” LCD monitor. An Intelligent Image Stabilization system automatically chooses from six distinct modes to control the blur created by a moving camera, and a built-in GPS system enables you to track exactly where your images were taken. With 32 predefined shooting situations, the Smart AUTO mode on the D30 will automatically optimize camera settings based on the scene it recognizes and create balanced, properly exposed shots. Starting from where the D20 left off, the PowerShot D30 lets you take your camera further, and is certain to come back unscathed and with beautiful photos and videos of your adventures, even if the adventure is just to the backyard pool.

PowerShot ELPH 150 IS Digital Camera

One of three new ELPH cameras, the PowerShot ELPH 150 IS Digital Camera is available in black, blue, red, or silver. It features a 20MP sensor and the DIGIC 4+ Image Processor, for high-resolution imaging, and a 10x optical zoom lens for well-rounded shooting capability. The 10x zoom translates into a focal-ength range of 24-240mm in the 35mm format. Intelligent IS (Image Stabilization) automatically chooses from eight stabilization modes to control the blur caused by camera shake. This means that the shots you take in dim light or with the zoom extended will result in clearer images. Smart AUTO mode uses 32 predefined shooting scenes to automatically select the best settings for each shot you take and Scene modes like Fisheye and Toy Camera Effect give you creative options right in the camera—no need for manipulating your photos on the computer.

Video is captured in 720p HD with a dedicated movie button, and a 2.7” LCD monitor provides playback and composition viewing. For those learning the basics of their camera, a Help Button offers simple explanations and easy control of camera settings, and an ECO Mode reduces power consumption for longer battery life.

PowerShot ELPH 140 IS and PowerShot ELPH 135 Digital Cameras

Like the above ELPH, the 140 IS and 135 are ultra-compact cameras that measure less than one inch deep and weigh less than 5 ounces. They are ideal pocket cameras for everyday shooting. Both cameras house a 16MP sensor and the DIGIC 4+ Image Processor for effective imaging and fast performance. They have an 8x optical zoom lens with the 35mm focal-length equivalence of 28-224mm. Both also support 720p HD video capture and offer Smart AUTO for accurate and balanced results, even when shooting in low light or high-contrast situations. They utilize a 2.7” LCD monitor, offer Scene Modes for creative imaging, ECO Mode for power saving, a Help Button to explain camera settings, and are powered by a rechargeable Lithium-Ion battery. The ELPH 135 is available in black, red, silver, or purple.

The ELPH 140 IS distinguishes itself thanks to its Intelligent IS mode, which reduces the blur caused by camera shake when shooting with slower shutter speeds. It automatically chooses the best mode to optimize image stabilization. The ELPH 140 IS is available in gray or red.

Unveiled: Canon PowerShot G1 X Mark II

http://www.bhphotovideo.com/indepth/photography/news/unveiled-canon-announces-new-rebel-g1-x-mark-ii-and-several-point-and-shoot-cameras?cm_mmc=EML-_-NewAnnouncement-Photo0214-_-140211-_-Body_Indepth_Canon-RebelT5-ReadMore#EOS_Rebel_T5_DSLR

One of the very best advanced compact cameras, the Canon PowerShot G1 X, is now being updated by the PowerShot G1 X Mark II and is bringing with it substantial improvements and additions, including the DIGIC 6 Image Processor, an f/2 maximum aperture lens, tilting touchscreen LCD, and Wi-Fi connectivity. The Mark II decreases the pixel count in its sensor, compared to the G1 X, but still features the relatively large 1.5” High-Sensitivity CMOS sensor with effective 12.8MP. Combine this sensor with the DIGIC 6 processor and you experience effective low-light performance and greatly improved focus speeds. The processor also enables the elimination of buffer time for continuous full-resolution shooting speeds of 5.2 fps up to the capacity of the memory card when using SDHC/SDXC UHS-I cards. The G1 X offered a rate of 4.5 fps up to only 6 frames.

The lens on the Mark II improves both its focal-length range and maximum aperture size. It offers a 5x optical zoom with the equivalent focal length of 24-120mm, which expands on both the wide-angle and telephoto ends of the range. Also, the maximum aperture on the wide-angle end is f/2, improving the low-light capture over the G1 X and enabling shallow depth-of-field control. A 9-blade aperture provides soft out-of-focus areas and newly developed Dual Control Rings enable customized functions with operations similar to an SLR lens, including full-time manual focus. Optical Image Stabilization further helps by compensating for camera shake and creating low-light images with less blur.
Built-in Wi-Fi connectivity allows instant transfer of images to smartphones and tablets as well as Wi-Fi-enabled computers and even directly to social media sites. A Wi-Fi connection and the free Canon CameraWindow app also enable using your smart device as a remote control for the camera; with Near Field Communication, establishing a wireless connection to an Android device is simple.
Full HD 1080p video capture is supported with a dedicated movie button for immediate switchover to video mode, and the bright 3.0” LCD monitor provides playback and composition viewing. The LCD on the G1 X Mark II differs from that of the G1 X in that it does not fold out and swivel, but instead tilts up 180° and down 45° for odd-angle shooting. It features a 1.04M-dot capacitive touchscreen for easy touch-control navigation, as well as shutter release and touch-focus capability. Also, the G1 X Mark II eliminates the optical viewfinder in favor of an optional electronic viewfinder. The EVF-DC1 is easily attached to the camera’s hot-shoe mount and has a precise XGA resolution LCD with 2.36 million dots and displays the exact information found on the camera’s LCD. The camera can switch automatically between the LCD and the EVF and the EVF features dioptric adjustment and 90° tilt capability.
The G-series, renowned for their advanced compact camera functionality, support full manual exposure control as well as auto modes and assistive functions. The Mark II moves forward adding 14-bit RAW + JPEG capability for professional-level creative control as well as Star Shooting mode for simplified shooting of the night sky.